The Inside Scoop blog

Audition advice, straight from the inside

Free tips from J and the Audition Access team on every round of drama school and National Youth Theatre auditions, from choosing your monologues to walking into your recall with confidence.

How to Choose Contrasting Monologues

Dec 22, 2023

How to choose contrasting monologues.

First thing we need to look at is rhythm.

Now what do I mean by rhythm?

Rhythm in the sense of the musicality of the heartbeat of your character. So say if you meet someone who is a bit sluggish, who is a bit negative bit of a negative Nancy, who is a bit sluggish in their thought, bit on the back foot - they're probably going to be someone who just sits in a different energy.

Whereas, if you know you meet someone who just can't stop talking all the time, and they're just super excited and want to share all their thoughts, that's going to be a very different energy to the first person.

It's not all about choosing pieces: one that's happy and one that's sad. You're choosing the rhythm, you're choosing a contrast of rhythm within both characters.

And another helpful thing to look at is your song. Please don't miss out the idea that your song is another monologue. It is it's another chance to show another character, more contrast. Another reason why they include it because they want to see what else can you bring! What else can you bring in a musical and/or musical lens?

Think big, bold and beautiful and contrast contrast contrast!

Again, they're not asking you to do one monologue they're asking you to do two or three or with a song because they want to see what else you can do.

Another way you can choose to help to find contrast...

Is to get your phone to record the monologue, and then put them put your phone down and close your eyes. Stand up and play the sound of the monologue. And what I want you to do whilst listening to it is to move your body like how the rhythm is of the speeches. You may find that your your body movements are like to one character, in contrast to your other monologue that your record and play, which may be a bit different to the first. You may even find the body of the character that way as well.

It's something that I did in phonetics when I was learning about accents and it's a really nice way actually to find the the rhythm of the speech the rhythm of the character. People from different accents have different rhythms, which is why I always suggest if you're looking at contemporary monologues, to look at speeches or plays that are around the area that you grew up in because the characters will definitely speak in your natural rhythm. 

All these things are the kind of consider when choosing a contrasting monologue!

Want further help on this? Come dive into monologue help here!

 

 

 

J, founder and lead coach of Audition Access
Written by

J, founder and lead coach

J trained at LAMDA and the National Youth Theatre, and has helped actors win hundreds of drama school offers since 2021. Read her story

Want the full inside scoop?

These posts are just a taste.

Inside the Audition Access Community app you get live coaching every month, drama school staff teaching in the app and a community of actors going through it with you. All for under £50 a month, from anywhere.

  • 3 live calls every month
  • 150+ hours of on-demand training
  • Hundreds of monologues
  • Free gifts at 30 and 90 days

£49 a monthThe Audition Access app

See inside